Hi. My name is Brian. I used to be in a rock and roll band. I now release my own records of piano and ambient music and collaborate with other film makers and artists on a variety of projects.

I like making music with organic sounds mixed with electronica and classical music. I mostly record on my restored August Förster piano from the 1920s and will often process sounds from the piano to make lush ambient textures.

I live at the foot of the Wicklow mountains in Ireland with my wife Layla and our three young kids. I enjoy building stuff, and have built a wooden cabin at the end of our plot which I call the Treehouse and which is filled with loads of wonderful instruments and clever gadgets that I use to make music.

  • Brian’s music career started at the age of 16 when he and Damien Rice started playing music together in school. This led to them forming the indie band Juniper and then later Bell X1, with whom Brian recorded four records and toured the world extensively between 1996 and 2008.

    During this period Brian also founded The Cake Sale – a band featuring an eclectic collective of artists such as Paul Noonan (Bell X1), Lisa Hannigan, Gary Lighbody (Snowpatrol), Nina Persson (The Cardigans), Glen Hansard and Neil Hannon (The Divine Comedy) to raise funds for the charity Oxfam. The record was a multi-platinum hit in Ireland, was released in Europe and America to huge critical acclaim and to this day still generates royalties for the charity.

    Towards the end of his time in Bell X1 Brian had become drawn to film scoring work and had started a very rewarding collaboration with visual artist the late Paddy Jolley on a number of his films. It was the taste of this more spacious yet intimate way of creating music that in part led to him departing Bell X1 to pursue a career as a film composer.

    Shortly after leaving the band Brian made the decision to move his life and studio to Berlin. A year after his arrival, Brian converted a 3,500 sq ft factory in the city’s Kreuzberg district to a modular studio complex with nine rooms. The studio rapidly became home to a thriving Berlin film music scene and it was here that he collaborated with fellow studio residents Dustin O’Halloran, Hildur Guõnadóttir, Rutger Hoedemaekers and the late Jóhann Jóhannsson on numerous Film and TV scores. During this period he also co -wrote a body of original work to be performed on two pianos with French pianist Fabien Leseure.

    Brian maintained strong ties with the Irish music scene and in 2016, alongside many well-known figures in Irish contemporary music, was a central collaborator on Starboard Home, a project which culminated with two live shows at the National Concert Hall in Dublin and the release of a critically acclaimed studio album.

    In 2017, Brian moved back to Ireland with his family and two years later set up home in rural county Wicklow at the foot of Carrick Mountain. Inspired by the wooded landscape around him, he designed and built Treehouse Studios, a beautiful log cabin set in the native Irish forest that surrounds his home. It was here that Brian recorded his debut solo album Imbrium which was released in the Spring of 2021 while most of the world was still in lockdown. The Sunday Times describes the record as “nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives”, while The Irish Times says “Gorgeous gems to enthral and delight. Imbrium is a soothing and riveting new chapter“.

    In addition to creating and performing his own solo work, Brian continues to write music for Film and TV and is a vocal advocate for artists rights, is a director of the Irish Music Rights Organisation and the Screen Composers Guild of Ireland.

  • Music composition for television is a complex fusion of pragmatic craft and creative inspiration and Brian possesses consummate skill in both these – sometimes contradictory – areas. He has a subtle gift for enhancing the action without dominating it and for progressing the narrative in an intelligent and dynamic way.

    Alan Gilsenan,
    Director

    Brian has consistently produced the highest quality work for us. He is a brilliant collaborator, he hits deadlines and always finds an answer to our creative challenges. And at all times he is a pleasure to deal with.

    Ronan Nulty
    Executive Creative Director

    Brian rose to the challenge of an unusually tight deadline and produced a beautiful score that way exceeded our expectations.

    Martin Mahon
    Producer, Yellow Asylum Films

  • “Nine nimble, elegant piano pieces that quell anxiety and clear brain fog are exactly what the doctor ordered for 2021”
    THE SUNDAY BUSINESS POST ★★★★

    “Gorgeous gems to enthral and delight. Imbrium is a soothing and riveting new chapter.”
    THE IRISH TIMES ★★★★

    “Nine unadorned piano instrumentals capture the stillness of life suspended, each piece as delicate and moving as it is restrained. The result is a quietly meditative work perfectly in tune with our present lives.”
    THE SUNDAY TIMES

    “The whole album is recorded up close and personal. From the hammers of the piano to the velvet ribbon to the wire twang inside – you can hear it all. Brian recorded the pieces on a restored 1920’s August Förster piano and that vintage warmth glows throughout. It also supports each piece on the album too because they often balance something soothing against a glorious mystery too.”⁠
    HIGHER PLAIN MUSIC 8/10

    “Imbrium is worth not only the wait but also its weight in gold. Constructed with a view to mute last year’s shrieks of anxiety, Crosby presents nine graceful, self-possessed pieces (played on a restored 1920’s August Förster piano) that tease for more of the same sometime sooner rather than later.”
    THE IRISH TIMES